PDF Drive is your search engine for PDF files. As of today we have . The Adobe Photoshop CS6 Book for Digital Photographers. 57 Pages·· MB·4, System requirements | Older versions of Photoshop. Chapter 2: Photoshop and Adobe services. Photoshop and Creative Cloud Libraries in Photoshop. PDF Worksheet. Get started Online video tutorial - Beginners guide to Adobe Photoshop. Back to index. A children's book cover design & web banner.
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Adobe, the Adobe logo, Acrobat, the Adobe PDF logo, Classroom in a Book, more about Adobe Photoshop CS6 and use it with greater efficiency and ease. Welcome to the latest Adobe Photoshop CC bulletin update. This Photoshop CC for Photographers: Edition book, which will be available later this year. A PDF file containing useful Photoshop editing examples with illustrates from goudzwaard.info The book has been designed for the first time Photoshop users .
The buttons and menus in the options bar now relate to the Type tool. In the options bar, select a font you like from the first pop-up menu. We used Minion Pro Italic, but you can use another font if you prefer. Specify 32 pt for the font size. You can specify 32 points by typing directly in the font-size text box and pressing Enter or Return, or by scrubbing the font-size menu label.
You can also choose a standard font size from the font-size pop-up menu. Click once anywhere on the left side of the colored bar, and type Elaine. Or you can type a different name, if you like. The text is the same color as the bar you typed it on.
Alt-dragging Windows or Optiondragging Mac OS changes the values in smaller increments; Shift-dragging changes them in larger increments.
Using panels and panel menus The text color is the same as the Foreground Color swatch in the Tools panel, which is the blue color you used to paint the bar. Make sure the Horizontal Type tool is selected in the Tools panel.
Drag the Horizontal Type tool across the text to select the full name. Select any light-colored swatch. We chose pastel yellow. Note When you move the pointer over the swatches, it temporarily changes into an eyedropper. Set the tip of the eyedropper on the swatch you want, and click to select it. The color you select appears in three places: as the Foreground Color in the Tools panel, in the text color swatch in the options bar, and in the text you selected in the image window.
Select another tool in the Tools panel, such as the Move tool , to deselect the text so that you can see the text color. Click the menu button on the Swatches panel to open the panel menu, and choose Small List. Select the Type tool and reselect the text, as you did in steps 1 and 2. In the Swatches panel, scroll about halfway down the list to find the Light Yellow Orange swatch, and then select it. Select the Move tool again to deselect the text.
Now the text appears in the orange color. Typing V will add the letter to your text in the image window. For the real world, Photoshop gives you the power to step back and undo actions so that you can try other options.
You can experiment freely, knowing that you can reverse the process. Even beginning computer users quickly come to appreciate the familiar Undo command. The name returns to its previous color. The Undo command in Photoshop reverses only one step.
This is a practicality, because Photoshop files can be very large, and maintaining multiple Undo steps can tie up a lot of memory, which tends to degrade performance.
However, you can often use the Step Backward and Step Forward commands in the Edit menu to move through multiple steps. Save the file. Your birthday card is done! More about panels and panel locations Photoshop panels are powerful and varied. Rarely would you need to see all panels simultaneously. The complete list of panels appears in the Window menu. Check marks appear next to the names of the panels that are open and active in their panel groups.
You can open a closed panel or close an open one by selecting the panel name in the Window menu. You can hide all panels at once—including the options bar and Tools panel—by pressing the Tab key. To reopen them, press Tab again. Note When panels are hidden, a thin, semitransparent strip is visible at the edge of the document. Hovering the pointer over the strip displays its contents.
You already used panels in the panel dock when you used the Layers and Swatches panels. You can drag panels to or from the panel dock. This is convenient for bulky panels or ones that you use only occasionally but want to keep handy. To expand a panel, click its icon or the double arrow. You can also pull the lower right corner in or out.
Note You can collapse, but not resize, the Character and Paragraph panels. Double-click again to restore it to the expanded view. You can open the panel menu even when the panel is collapsed.
Notice that the tabs for the panels in the panel group and the button for the panel menu remain visible after you collapse a panel. You can move the options bar to another location by dragging the grab bar at the far left end of the panel. Changing interface settings By default, the panels, dialog boxes, and background in Photoshop are dark.
You can lighten the interface or make other changes in the Photoshop Preferences dialog box: 1. Select a different color theme, or make other changes.
When you select a different theme, you can see the changes immediately. You can also select specific colors for different screen modes and change other interface settings in this dialog box. Review questions 1. Describe two types of images you can open in Photoshop. How do you select tools in Photoshop? Describe two ways to zoom in to or out from an image. What are two ways to get more information about Photoshop? Review answers 1. You can scan a photograph, transparency, negative, or graphic into the program; capture a digital video image; or import artwork created in a drawing program.
You can also import digital photos. A selected tool remains active until you select a different tool. To select a hidden tool, either use a keyboard shortcut to toggle through the tools, or click and hold the tool in the Tools panel to open a pop-up menu of the hidden tools.
Choose commands from the View menu to zoom in on or out from an image, or to fit it onscreen, or use the zoom tools and click or drag over an image to enlarge or reduce the view.
You can also use keyboard shortcuts or the Navigator panel to control the display of an image. The Photoshop Help system includes full information about Photoshop features plus keyboard shortcuts, task-based topics, and illustrations.
Creative Cloud Learn provides inspiration, key techniques, cross-product workflows, and updates on new features. This lesson steps you through the process of acquiring, resizing, and retouching a vintage photograph.
For many images, you may need only to change the resolution, lighten the image, or repair a minor blemish. For others, you may need to perform several tasks and employ more advanced filters. Note In this lesson, you retouch an image using only Photoshop. For other images, it may be more efficient to work in Adobe Camera Raw, which is installed with Photoshop. Likewise, sharpening should usually be your final step. For the other tasks, consider your project and plan accordingly, so that the results of one process do not cause unintended changes to other aspects of the image, making it necessary for you to redo some of your work.
Whether an image is intended for black-and-white publication on newsprint or for full-color online distribution affects everything from the resolution of the initial scan to the type of tonal range and color correction that the image requires. Photoshop supports the CMYK color mode for preparing an image to be printed using process colors, as well as RGB and other color modes for web and mobile authoring.
Resolution and image size The first step in retouching a photograph in Photoshop is to make sure that the image has an appropriate resolution. The term resolution refers to the number of small squares, known as pixels, that describe an image and establish its detail. Resolution is determined by pixel dimensions, or the number of pixels along the width and height of an image.
Pixels in a photographic image Note To determine the necessary image resolution for a photograph you plan to print, follow the computer-graphics rule of thumb for color or grayscale images intended for print on large commercial printers: Scan at a resolution 1. In computer graphics, there are different types of resolution: The number of pixels per unit of length in an image is called the image resolution, usually measured in pixels per inch ppi.
An image with a high resolution has more pixels and therefore a larger file size than an image of the same dimensions with a low resolution. Images in Photoshop can vary from high resolution ppi or higher to low resolution 72 ppi or 96 ppi. Unless the resolution of your image is exactly the same as the resolution of the monitor, the image size in inches, for example onscreen may be larger or smaller than the image size will be when printed.
The number of pixels per unit of length on a monitor is the monitor resolution, also usually measured in pixels per inch ppi. Image pixels are translated directly into monitor pixels. In Photoshop, if the image resolution is higher than the monitor resolution, the image appears larger onscreen than its specified print dimensions. The number of ink dots per inch dpi produced by a platesetter or laser printer is the printer, or output, resolution.
Higher resolution images output to higher resolution printers generally produce the best quality. The appropriate resolution for a printed image is determined both by the printer resolution and by the screen frequency, or lines per inch lpi , of the halftone screens used to reproduce images. Keep in mind that the higher the image resolution, the larger the file size, and the longer the file will take to print or to download from the web.
For more information on resolution and image size, see Photoshop Help.
You may make copies of these files and save them under different names or locations, or you may work from the original start files and then download them from the peachpit. In Lesson 1, you used the Open command to open a file. For more information, see page 3. Adobe Bridge opens, displaying a collection of panels, menus, and buttons. Select the Folders tab in the upper left corner, and then browse to the Lessons folder you downloaded onto your hard disk, so that the lesssons in the Lessons folder appear in the Content panel.
Adding files, folders, application icons, and other assets that you use often to the Favorites panel lets you access them quickly. Select the Favorites tab to open the panel, and click the Lessons folder to open it.
Then, in the Content panel, double-click the Lesson02 folder. Thumbnail previews of the folder contents appear in the Content panel.
Compare the 02Start. To enlarge the thumbnails in the Content panel, drag the thumbnail slider at the bottom of the Bridge window to the right. In the 02Start. Double-click the 02Start. Choose Photoshop from the Format menu, and name the file 02Working. You can use either the Crop tool or the Crop command to crop an image.
By default, cropping deletes the cropped pixels. In the Tools panel, select the Crop tool. Tip Deselect the Delete Cropped Pixels option if you want to crop nondestructively, so that you can revise the crop later.
Crop handles appear, and a cropping shield covers the area outside the cropping selection. Ratio is the default value. A crop grid appears.
Click Straighten in the options bar. The pointer changes to the Straighten tool. Click at the top corner of the photo, press the mouse button as you drag a straight line across the top edge of the photo, and then release. Photoshop straightens the image, so that the line you drew is parallel with the top of the image area.
You drew a line across the top of the photo, but any line that defines either the vertical or horizontal axis of the image will work.
Drag the corners of the crop grid inward to the corners of the photo itself to crop out the white border. If you need to adjust the position of the photo, click and drag it within the crop grid.
Press Enter or Return to accept the crop. The image is now cropped, and the cropped image fills the image window, straightened, sized, and positioned according to your specifications. To see the image dimensions, choose Document Dimensions from the pop-up menu at the bottom of the application window. Click Curves in the Adjustments panel to add a Curves adjustment layer. Select the White Point tool on the left side of the Properties panel. Specifying a white point changes all the colors in the image.
The white point is the color that Photoshop defines as pure white, and it adjusts all other colors accordingly. To set an accurate white point, select a white area in the image. The color tone of the image changes dramatically.
In some images, adjusting the white point is enough to remove a color cast and correct the tone of the image. Here, selecting a white point is a good start.
Click Levels in the Adjustments panel to add a Levels adjustment layer. The Levels histogram in the Properties panel displays the range of dark and light values in the image. Right now, you just need to know that the left triangle represents the black point the point Photoshop defines as the darkest in the image , the right triangle represents the white point the lightest in the image , and the middle triangle represents the midtones.
Drag the left triangle blacks under the histogram to the right, where the blacks are more pronounced. Our value was Drag the middle triangle a little to the right to adjust the midtones.
Our value was.
Flattening an image merges its layers. After you flatten an image, you can no longer edit layers individually, but the file is smaller, and you can easily make changes to the entire image at once.
The adjustment layers merge with the Background layer. He teaches workshops internationally as well as online on the care and identification of photographs.
Find out more at gawainweaver. The tools in Photoshop make restoration of old or damaged photographs seem like magic, giving virtually anyone the power to scan, retouch, print, and frame their photo collections. However, when dealing with works by famous artists, museums, galleries, and collectors need to preserve original objects to the greatest degree possible despite deterioration or accidental damage. Professional art conservators are called upon to clean dust and soiling from print surfaces, remove discoloration and staining, repair tears, stabilize prints to prevent future damage, and even paint in missing areas of a work.
Carleton E. This print was removed from its mount to remove the stains and then remounted. In Photoshop, you can use a Curves adjustment layer to remove the color cast from an image. Likewise, you can use the Spot Healing Brush in Photoshop to spot out specks of dust or dirt on a scanned image. A conservator might use Japanese papers and wheat-starch paste to carefully repair and rebuild torn paper before finalizing the repair with some skillful in-painting.
In Photoshop, you can remove a crease or repair a tear in a scanned image with a few clicks of the Clone tool. After digitization the original print can be safely stored away, while the digital version can be copied or printed for many family members. Often, we first clean or unfold family photographs to safely reveal as much of the original image as possible, and then we repair the remaining discoloration, stains, and tears on the computer after digitization.
Note The Healing Brush tool works similarly to the Spot Healing Brush tool, except that it requires you to sample source pixels before retouching an area. The Spot Healing Brush tool quickly removes blemishes and other imperfections.
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For now, you can click Save PDF. Your PDF file will now be created! You can double click the file to open it in your web browser or PDF reader application. Here is a look at our test file: Notice how all pages are displayed with the same zoom and layout, despite one page being taller. If you have an issue with some pages not displaying correctly, you must ensure the pixel width of each PSD page file is exactly the same. We hope that this guide has proven to be useful.
Have any questions about the process?